Author: webslinger67

VALLEY NEWS: Campbell receives two Design in Wood donated awards at SD County Fair (07/04/2017)

Temecula woodworker Peter Campbell entered the San Diego County Fair’s Design in Wood competition and took first place in the Wood Turning – Center Work:  Parallel to the Ways of the Lathe category while also being given two donated awards for his project.

Campbell, who has been turning wood for approximately 15 years, used maple wood to carve a hollow vessel he called “Horst.”  In addition to his first-place class award, he received the San Diego Wood Turners Annual Award and a San Diego Fine Woodworking Association President’s Award.

Ken Martinez of San Jacinto was the third-place winner in the Model Building – Not to Scale category.  He used walnut, yellowheart, and maple to create a submarine with surrounding sea floor he called “Don’t Mess With Texas”.

Eric Giberson of Hemet received fourth place in the Wood Carving –  Animals competition for “Buster Bear,” which is a bear on a tree stump and was carved from basswood.  Giberson also received two honorable mention awards in the Wood Carving – Human Form category: “Wounded Buffalo Chief” is a bust of an Indian with a headdress and necklace and is made of walnut while “White Feathers” utilized cedar and basswood for the bust of an Indian shaman with feathers in his hair.

Antonio Barrios of San Jacinto took home two ribbons for his Wood Carving – Human Form submissions.  “Blue Feather,” a bust of an Indian medicine man, was given fourth place.  An honorable mention ribbon was awarded for “Commander Lin Mae,” which is the bust of a Chinese warrior.  Barrios used basswood for both sculptures.

 

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HAMLET HUB: Brookfield Craft Center and Nutmeg Woodturners League partner for charity (06/21/2017)

Brookfield Craft Center and the Nutmeg Woodturners League teamed up to make bowls for the Beads of Courage charity.  Beads of Courage is an arts-in-medicine supportive care program for children coping with serious illness, their families and the health care providers who care for them.

This past month the volunteers from the Nutmeg Woodturners came to the Brookfield Craft Center’s woodturning studio for a “Learn to Turn” event that produced bowls to be donated and used for the children’s beads.  The beads are used by the children as meaningful symbols of courage and hope along their treatment journey.  President of the Woodturners League, Ken Rist said: “We are pleased so many of our members turned out for this event and we were able to turn out so many bowls.  We are grateful to be able to utilize the facilities of the Craft Center and to contribute our skills to this worthy cause.”

The Nutmeg Woodturners League is a local chapter of the American Association of Woodturners.  They promote woodturning as a craft and art form.  The primary goal of the League is to educate members and provide a meeting place for local wooturners where they can share ideas and techniques.  They meet at the Brookfield Craft Center on the second Monday of every other month (January, March, May, September, November).  All are welcome.

About the Brookfield Craft Center – The Brookfield Craft Center (BCC) was founded in 1952 and is recognized as one of the core fine craft schools in America. The center, incorporated in 1954 is a 501(c)(3) organization, offering classes and workshops in glass arts, woodturning, ceramics, painting, jewelry, blacksmithing, fiber arts and other creative endeavors for children and adults taught by professional faculty. The summer “Hands on Art” program, is available for children ages 11-14 during summer months. The historic Mill Building (ca 1780) Gift Shop and Exhibition Gallery is a beautiful venue for displaying fine craft. All works are carefully juried and are representative of the type of skills individuals can learn in our classes. As a force for arts advocacy and community building, BCC strives to teach and preserve the skills of fine craftsmanship, and to enable creativity and personal growth through craft education.

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International woodturning extravaganza will TURN ON Kansas City, June 22-25

FOR IMMEDIATE RELEASE
 

International woodturning extravaganza to TURN ON Kansas City, June 22-25

(ST. PAUL, Minn. – June 14) The American Association of Woodturners (AAW), a nonprofit organization dedicated to advancing the art and craft of woodturning worldwide, will host its 31st International Woodturning Symposium at the Kansas City Convention Center, in Kansas City, Missouri, June 22-25, 2017. The conference will bring together more than 1,000 turners from around the globe to learn, share, and celebrate the art and craft of woodturning making it the largest woodturning event in the world.

PUBLIC EVENTS
“Irish Moon” by Binh Pho and
Hans Weissflog

In addition to educational sessions and demonstrations exclusively for registered symposium attendees, the symposium offers events, which are free and open to the public, offering the community a rare glimpse into the world of woodturning. Public events include exhibitions, galleries, and benefit auctions of works in wood, as well as a trade show that features both ongoing and scheduled woodturning demonstrations. AAW welcomes the public, all ages, to visit, be inspired, and develop a passion for the art and craft of woodturning. Public events and hours.

 

EXHIBITIONS
“Sperm Whale” by Anthony Smith

Exquisite woodturned works in wood will be showcased in the symposium exhibitions. Visitors and attendees will have the opportunity to browse a compendium of stunning contemporary sculptural and functional woodturned works by established and emerging artists in several symposium exhibitions.

Exhibition Hours
(Free and open to the public)
Thursday, June 22, Opening & Reception, 5:30 p.m.- 7:30 p.m.
Friday, June 23, 8:40 a.m.- 6:00 p.m.
Saturday, June 24, 9:00 a.m.- 4:30 p.m.
Sunday, June 25, 9:00 a.m.- noon
About the Exhibitions

Waves of Grain
“Rice Bowl” by Michael Hosaluk

From the fertile fields of the Heartland to the richness of wood’s natural patterns, the works featured in Waves of Grain reflect the responsive creativity and talent of AAW’s membership. The exhibition includes both invited and juried artists, and showcases the wide range of ideas, techniques, and approaches being developed by both amateur and professional turners.

The Sphere-Second Round
A lively, international mix of smaller-scale works by established and emerging wood artists. While the title theme might bring to mind visions of wooden billiard balls, the works in the exhibition showcase wonderfully imaginative and very individual interpretations ranging from wryly humorous, to highly personal, to apocalyptic.

“Lotus Dreams” by Mike Jackofsky and Georgianne Jackofsky

Instant Gallery

The AAW symposium’s Instant Gallery is the largest display of turned-wood objects under one roof and highlights more than 1,000 art works and crafts in wood by woodturners who are in attendance at the symposium.

AUCTIONS

Bid it to win it! Enthusiasts may add to their wood art collections (or start a collection) by participating in the symposium’s two live fundraising auctions, which are streamed simultaneously online. Proceeds of the auctions support AAW’s nonprofit grant, outreach, and educational woodturning programs. The auction on Friday, June 23, at 7:30 p.m. (central time), benefits the AAW’s Educational Opportunity Grant (EOG) program and features 50 pieces by established and emerging wood artists. The auction on Saturday, June 24, at 3:30 p.m. (central time) supports the AAW’s Professional Outreach Program (POP) and features 44 small-scale pieces by studio artists from around the world.  The live auctions will be streamed simultaneously online and work can be previewed and bids may be placed online.

Live Auction Schedule
(Free admission)

Friday, June 23, 7:30 p.m., Great Hall 3501
Saturday, June 24, 3:30 p.m., Bartle Hall B

TRADE SHOW

Kick a few tires! The latest and greatest woodturning products will be on display at the symposium’s enormous trade show. Jam-packed with state-of-the-art woodturning lathes, accessories, tools, supplies, wood, and more, visitors can observe a range of both impromptu and scheduled demonstrations, and see equipment up close and in action. Featured trade show exhibitors.

Trade Show Hours
(Free and open to the public)
Friday, June 23, 10:00 a.m.- 6:30 p.m.
Saturday, June 24, 7:30 a.m.- 6:00 p.m.
Sunday, June 25, 8:00 a.m.- 2:15 p.m.
 
Trade Show Educational Seminars
(Free and open to the public)

Friday, June 23
  • 11:15 a.m. to 12:00 p.m. – Sharpening, Doug Thompson, Doug Thompson Tools

  • 11:15 a.m. to 12:00 p.m. – Joys of Lamination with Dyed Veneer, Martha Collins
  • 2:30 p.m. to 3:15 p.m. – Airbrush on Wood, Joe Fleming, Airbrushing Wood
  • 2:30 p.m. to 3:15 p.m. – Embellishment and Coloration, Nick Agar, Chroma Craft
Saturday, June 24
  • 8:30 a.m. to 9:15 a.m. – Bowl Turning with No Torn Grain Using the 40/40 Grind, Stuart Batty, Woodworking Emporium

  • 8:30 a.m. to 9:15 a.m. –So You Want to Be a Woodturner? Paul Carter, Carter and Son Tools
  • 1:45 a.m. to 2:45 a.m.– Coring Bowls, Doug Magrath, OneWay
  • 1:45 a.m. to 2:45 a.m.– Four-Axis Computer-Controlled Routing, Bart Niswanger, Furniture Society

 



 
CHARITABLE PROJECTS

Woodturners are a generous bunch. This year’s symposium will raise money for Variety the Children’s Charity of Greater Kansas City, which provides children with developmental disabilities adaptive equipment and opportunities for activity and inclusion. Attendees and visitors are invited to purchase a handcrafted bowl of any size for $25 to support Variety. Additionally, a display of woodturned boxes made by AAW members for Beads of Courage, which supports local children coping with serious illnesses.

Work from the “Waves of Grain” exhibition

ABOUT THE AAW
The American Association of Woodturners (AAW) is a nonprofit 501(c)(3) organization, headquartered in St. Paul, Minnesota, dedicated to advancing the art and craft of woodturning worldwide by offering opportunities for education, information, inspiration, and community to those interested in turning wood. Established in 1986, AAW currently has more than 15,000 members and a network of over 350 local chapters globally representing professionals, amateurs, artists, hobbyists, gallery owners, collectors, and others. The AAW possesses the single largest collection of woodturning information anywhere and its award-winning journal, American Woodturner, is the foremost publication on the art and craft of woodturning in the world. To learn more, visit woodturner.org.


ABOUT WOODTURNING

Woodturning is a contemporary craft with roots dating back over 2,500 years. The process involves a lathe, a machine that securely holds and spins wood at high speeds, wherein artists and craftspeople shape objects using specialized gouges and chisels. Traditionally, woodturning has been used to create functional items, such as chair legs, candlesticks, and bowls. Today, lathe-turned work is also understood as an art form and vehicle for individual enrichment, creativity, and expression, and embraces diversity in both genre and makers. The objects produced are just as varied as the people who turn them. From functional objects, like bowls, to abstract sculptural forms, woodturning may include surface carving, embellishment, and finishing techniques, and specialized methods such as segmented, multi-axis, ornamental, pen turning. The art and craft of woodturning has a modest learning curve and engages people from age 8 to 108. Learn more about woodturner, visit AAW’s Discover Woodturning online resource.

###

High resolution photos available upon request.
 


CONTACT

Kim Rymer, Communications Director
Office 651-484-9094, Cell 612-267-7622
kim@woodturner.org

KIRKSVILLE DAILY EXPRESS: Art Walk brings flavor to downtown Kirksville (06/12/2017)

Retired physician Charles Pritchard started woodturning about 30 years ago as a “diversion from the pressures of being a physician.”

He said woodturning showed him how he could create some good, within a matter of a couple of hours and without receiving any criticism.

“It was a good relief,” Pritchard said.

Pritchard was one of several artists who shared their work during the fourth annual Kirksville Art Walk last Friday in downtown Kirksville.

The Kirksville Art Walk started as an effort by the Kirksville Area Chamber of Commerce’s Merchants Committee to bring new customers to downtown businesses, according to Kirksville Area Chamber of Commerce Executive Director Sandra Williams.

“We just, by luck, were able that very first year to partner with the MOSI Art Guild, Kirksville Arts Association and the Kirksville Downtown Improvement Committee, and it seems to be a really good partnership,” Williams said.

“It gets people into businesses, it gets the artists an opportunity to showcase what they do and it gives the community somewhere to go.”

“It’s a good way to get a community together to have some fun and something to look at,” said artist Judith Scheurer, who showcased her wood rocking horses during the event.

The Art Walk featured about 24 artists who showcased their work in front of about two dozen businesses and on the Adair County Courthouse lawn.

Pritchard, who has participated in the Art Walk since its inception, showcased his woodturning in front of Edna Campbell’s.

“I think (the Art Walk) just makes people aware of the (woodturning) process that I do. That interests them, and looking at the art work,” Pritchard said. “We’re interested in seeing the downtown flourish, so we participate in this for that goal.”

Laura Srnka, owner of Edna Campbell’s, said the store has always appreciated the work of local artists.

“We have owned this store since 1961 and we’ve done many things. Over the years we’ve had exhibits of painters, artists of all kinds, had open houses for them in the evenings,” Srnka said.

“It’s just part of our lives and we like to be able to participate so that other people can come and view the things that, for example, Dr. Pritchard is doing and all the other artists downtown. It’s just a fun event to show people that we really have some good artists in the area.”

Linda Worthington showcased her wreath-making artwork in front of the Amp’D Boutique during the Kirksville Art Walk.

“It’s a chance to promote my little business here (by) getting more customers and trying to get my name out there,” Worthington said. “That’s pretty much the benefit, just having people see what I do and what I have.”

This was the second year Amp’D Boutique participated in the Art Walk.

“I enjoy bringing the public to downtown Kirksville. We need more get together (events) like this to help everybody,” boutique owner Wendy Slaughter said. “It gets (artists) products out and people get to the see the talent that’s in Kirksville, Mo.”

View source and photos.

INDIAN EXPRESS: Woodturners of Sabarkantha stare at oblivion (06/12/2017)

Besides the Aravalli range, Idar, a semi-urban area of tribal-dominated Sabarkantha district, is also famous for its 200-year-old wooden toys market-Kharadi Bazar-which is staring at a slow death. Thanks to the dearth of raw material like soft wood and arrival of alternative cheaper toys in the market, just three to four families are left to carry forward the fast-dwindling wooden craft. There were times when the number used to be around 250-300.

M.K Jadeja, a former Gujarat government officer, who now heads a voluntary organisation in Idar, said there were about 25 artisan houses in Idar, each having at least two members involved in the wood turning craft till 2008-2010. “But, the downfall began about 15-12 years ago.”

About the history of the craft, Raju, a toy maker, said they had come to know from their forefathers that it originated more than 200 years ago under the erstwhile rulers of the then princely states of Rajasthan. “Fascinated by Idar and its resources, one of the kings helped some artisans relocate here and Khilona Bazar or Kharadi Bazar was set up.”

The knowledge of this wood turning craft was passed on from one generation to another. But, the artisans fear that there will be no one left to carry this craft forward in the next two years as the young generation is not inclined towards it. An artisan, Ishwar, said, “Aisi majdoori kaun kare, mera beta bolta hai (My son says, who will take up this laborious task).” To make these special toys, apart from other items like flower pots, bangle holders, walkers, carom boards, educational equipment and dandiya sticks, special wood called dudhi is used as it is soft and easy to coat with lacquer due to its light colour. The wood is of Wrightia tinctoria, a deciduous tree. The forests of Vijaynagar taluka had such trees in plenty, but over the years, its availability has become very rare.

Jadeja said that dudhi is also available in Dang district, but its high transportation cost keeps it out of reach of the local toy makers. “This, coupled with the influx of cheaper Chinese toys and plastic products, have led to the downfall of this craft,” rued Jadeja. Hiren Prajapati, an artisan questioned, “Why will people buy a Rs 20 wooden toy, if they can get the same thing in plastic for Rs 5?” According to Jadeja, this led to an eventual migration of artisans in search of better jobs. “What remains is about 10 to 12 artisans, with only two main craftsmen who still get a few contracts. But, they struggle to finish the orders on time due to lack of workforce,” said Jadeja.

They now use Nilgiri wood, which is not as soft and easy to paint as dudhi. Virendra Doshi, who runs one of the two shops in Kharadi Bazar for the last 20 years, has to sell colorful toys, made in Udaipur and Moradabad. “I have to tell my customers that they are made in Idar itself. What should I do? Production of local toys have come down,” rued Doshi.

Jadeja suggested that initiatives like tax exemption, loans at reasonable interest rates and subsidies on wood, colour and electricity would help save the dying craft. ”A depot should be set up here to store dudhi wood from Ahwa and free training should be imparted to women and children. My NGO will be the first one to take this up, if there is help from the government. We had made a presentation on the issue before Chief Minister Vijay Rupani during his recent visit to Idar and offered him suggestions as well.”

Admitting that the local toy-making art was languishing, Sabarkantha Collector P Swaroop said they would work out a concrete plan in that direction. ”We have visited the area (Kharadi Bazar) twice or thrice. Some cottage industry schemes are available. We are thinking of involving Ahmedabad-based National Institute of Design and take their help in making modern designs for these artisans. We are already in touch with the local leaders to take this forward,” hoped Swaroop.

View source and photos.

CALL: American Craft Council “2018 American Craft Shows” – Dealine August 11, 2017

2018 American Craft Shows

The American Craft Council is thrilled to announce that applications are now open for the 2018 American Craft Shows in Baltimore, Atlanta, St. Paul, and San Francisco! We believe our shows offer a great opportunity for woodturning artists to sell their work. The ACC’s four annual, juried craft shows convene a vibrant community of more than 1,500 of the country’s most talented craft artists – ranging from those just beginning their careers to masters in the field – and reach nearly 50,000 attendees each year. Exhibiting artists represent the broad aesthetic, technical, and material diversity of the craft field, from age-old traditions to cutting-edge technologies. The application deadline is August 11, 2017. Learn more and apply.

ACC also offers an Emerging Artists Program. It offers a way for artists early in their careers to participate in the American Craft Shows with a smaller space, additional support, and a lower cost. Learn more and apply.

 

PENINSULA CLARION: Art exhibit takes a turn (06/06/2017)

The 2017 Summer Exhibit at the Kenai Chamber of Commerce &Visitor Center (KVCC) opened May 26 and is a show not to be missed and visited frequently.

For the first time the KVCC is featuring the amazing art of local Kenai Peninsula Woodturners, a group of local hobbyist and semi-professional men and women who love to turn wood. At the opening reception the ten wood turners whose work is on display were present to explain their technique, interests and give demonstrations to visitors.

“It’s an amazing show. We started working on this back in March and have been amazed at the talent that we have here locally. Some of these pieces are almost hypnotic and the more you look at them the more you see and wonder at the patterns of Mother Nature. You can spend hours here and still not see it all, so it’s a good thing it’ll be all summer,” said Johna Beach, KVCC CEO.

Sterling Rasmussen is president of the Kenai Peninsula Woodturners Association, the Peninsula chapter of the American Association of Woodturners.

“We meet at 3 Guys, No Wood, a workshop and store located at milepost 100 of the Sterling Highway just south of Soldotna where Echo Lake Road meets the highway. We meet throughout the year and serve woodturners and teach all levels of interest and are also a retail shop,” he said.

Paul Johnson’s father-in-law got him started turning wood in Barrow.

“We call him the original guy. He taught me when I was 26 as part of my student teaching in Barrow and that’s where the ‘No Wood’ comes from in our shop’s name, because it was 500 miles to the closest tree,” explained Paul.

His wife Shannon also turns wood at the 3 Guys, No Wood shop.

“I’ve turned a few bowls but my job is primarily to run the store and do all the paper work and keep all of the Kenai Peninsula Woodturner boys in line. It became a passion for my father and he passed that on to my husband and when we came here we had so many bowls we had to have a bowl store and then we met the Kenai Peninsula Woodturners and started having chapter meetings at our store and now it’s a generational thing that has become a community thing and we’re happy to have it on display here at the show,” she said.

The Summer Exhibit will be on display through Sept. 4 at the KVCC which is open for the summer 7 days a week. Many of the pieces in the exhibit are for sale and if purchased may be shipped to you after the show closes in September.

View source and photos.

National Student Woodturning Competition Finalists Announced

FOR IMMEDIATE RELEASE

 

National Student Woodturning Competition Finalists Announced

 
(ST. PAUL, Minn. – June 6, 2017) The American Association of Woodturners (AAW), a nonprofit organization dedicated to advancing the art and craft of woodturning worldwide, is proud to announce the finalists for the 2017 Turning to the Future student competition. The finalists, 19 students from eight high schools and seven colleges, will have their work exhibited at the 2017 AWFS® Fair, in Las Vegas, Nevada, June 19-22, 2017.

High School Finalists
  • Ryan Austin, Segmented Bowl; Francis Parker School, Instructor: Barry Cheskaty, San Diego,CA
  • Vince Cianfichi, Segmented Football; North Pocono High School, Instructor: Brian Koelsch, Covington Township, PA
  • Judah Costello, Flaming Goblets; North Salem High School, Instructor: Andrew Chidwick, Salem, OR
  • Colin Davis, Knot What I Expected; Cedar Ridge High School, Instructor: Keith Yow/Carmine Prioli, Hillsborough, NC
  • Justin Fiaschetti, 777 and African Vase; Delaware Regional High School, Instructor: Josh Paul, Frenchtown, NJ
  • Misha Finley, Unity; North Salem High School, Instructor: Andrew Chidwick, Salem, OR
  • Todd Halleman, Curly Maple Platter and Bimblebox; Newberg High School, Instructor: Bailey Field, Newberg, OR
  • Tristan McIntyre, Pierced Bowl; Red Creek Central, Instructor: Mike Malecki, Red Creek, NY
  • Vivek Patel, The Crimson Phoenix; Mustang High School, Instructor: Michael McGarry, Mustang, OK
  • Bryce Phillips, Inside-Out Lamp; Red Creek Central School District, Instructor: Mike Malecki, Red Creek, NY
 
Post-Secondary Finalists
  • Ian Anderson, Memory Urn and Island Dish; Brigham Young University, Instructor: Kip Christensen, Provo, UT
  • Kailee Bosch, emp(tea); Colorado State University, Instructor: Mark Dineen, Fort Collins, CO
  • Robert Caridi, Limits; Northern Michigan University, Instructor: Edward Ross, Marquette, MI
  • Amy Costello, Sunflower Serving Platter; Brigham Young University, Instructor: Kip Christensen, Provo, UT
  • Scott Davies, Scoop and Nesting Instinct; Brigham Young University, Instructor: Kip Christensen, Provo, UT
  • Lila Ferber, Side-Winder and Rainbow Top Set; Kansas City Art Institute, Instructor: Michael Wickerson, Kansas City, MO
  • Tyler Gaston, Twisted and Arrival; Indiana University of Pennsylvania, Instructor: B.A. Harrington, Indiana, PA
  • Brandon Lucus, Patience; Western Piedmont Community College, Instructor: James Ellis, Morganton, NC
  • Emily MacCloud, Cloud Table and Bench; Rhode Island School of Design, Instructor: Tyler Inman, Providence, RI
“Encouraging and supporting the next generation of woodturners is a key part of the American Association of Woodturners’ mission,” states Linda Ferber, AAW program director. “The AAW offers a number of free and low-cost resources for both students and instructors, including free memberships and curriculum materials.”

The Turning to the Future competition was open to all high school students and all post-secondary students in full-time design, manufacturing, art, or woodworking-related programs, and was held in conjunction with the AWFS® Fair’s Fresh Wood woodworking competition.

Entries were selected based design innovation or quality of execution of a known style, craftsmanship, functionality, craftsmanship, and aesthetics. Final selections will occur at AWFS®Fair. All winners of the student competition will be announced Friday, July 21 at the Student Awards Reception on the show floor stage.

First place winners for each of the two categories (Open and Functional) within each of the two divisions (High School and Post-Secondary) will receive $500, and second place winners will receive $100. Additionally, the best in show winners for each of the two divisions will receive a JET 1221VS lathe, donated by The Woodworker’s Emporium, in Las Vegas.

The student work will be on display at the AWFS® Fair, a tradeshow for the home and commercial furnishings industry, which includes manufacturers and distributors of machinery, hardware, lumber, construction materials and other suppliers to the furniture, cabinet manufacturers, and custom woodworking fields. The event draws estimated 15,500 attendees annually.

Finalist selections were made by Beth Ireland, MFA. Beth Ireland Woodworking specializes in architectural and artistic woodturning. Ireland teaches the three-month Woodturning Intensive at The Center for Furniture Craftsmanship, and is an exhibiting artist. Ireland also founded “Turning Around America,” which provides woodworking and community skills-building projects in a mobile shop since 2010. She lives and works in Roslindale, MA.

ABOUT WOODTURNING
Woodturning is a contemporary craft with roots dating back over 2,500 years. The process involves a lathe, a machine that securely holds and spins wood at high speeds, wherein artists and craftspeople shape objects using specialized gouges and chisels. Traditionally, woodturning has been used to create functional items, such as chair legs, candlesticks, and bowls. Today, lathe-turned work is also understood as an art form and vehicle for individual enrichment, creativity, and expression, and embraces diversity in both genre and makers. The objects produced are just as varied as the people who turn them. From functional objects, like bowls, to abstract sculptural forms, woodturning may include surface carving, embellishment, and finishing techniques, and specialized methods such as segmented, multi-axis, ornamental, pen turning. The art and craft of woodturning has a modest learning curve and engages people from age 8 to 108. Learn more about woodturning.

ABOUT THE AAW
The American Association of Woodturners (AAW) is a nonprofit 501(c)(3) organization, headquartered in Saint Paul, Minnesota, dedicated to advancing the art and craft of woodturning worldwide by offering opportunities for education, information, inspiration, and community to those interested in turning wood. Established in 1986, AAW currently has more than 15,000 members and a network of over 350 local chapters globally representing professionals, amateurs, artists, hobbyists, gallery owners, collectors, and others. The AAW possesses the single largest collection of woodturning information anywhere and its award-winning journal, American Woodturner, is the foremost publication on the art and craft of woodturning in the world. To learn more, visit woodturner.org.

ABOUT THE AWFS® FAIR
The full-scale international AWFS® Fair, scheduled for July 19-22, 2017 in Las Vegas, has become a critical hub for international commerce. The AWFS® Fair brings together the home and commercial furnishings industry, including manufacturers and distributors of machinery, hardware, lumber, construction materials and other suppliers to the furniture, cabinet manufacturers and custom woodworkers, and draws an estimated 15,500 attendees. For more information about AWFS® Fair, visit awfsfair.org.

CONTACT
Tib Shaw, Curator
651-484-9094 (office)

BENZINGA: Penturner’s Rendezvous Grand Prize Winner Again Opts to Give Lathe from Woodcraft to a Vet

For the second year in a row, a veteran will be the final owner of a Rikon Mini Lathe donated by Woodcraft for the Penturner’s Rendezvous Grand Prize winner. The Rendezvous is held in conjunction with the Utah Woodturning Symposium.

Sally Ault, like 2016 winner Brian Saunders, is a San Diego resident, a member of the San Diego Woodturners (SDWT), and an active volunteer in the club’s Turn Around for Vets program, which prompted both winners to choose to donate their Grand Prize to a veteran.

“Brian works mostly at the VA residential recovery center, and I work mostly at Naval Medical Center, Balboa (both in San Diego),” Ault said. “I love seeing the change that comes over one of our ‘students’ as he or she realizes how much fun turning can be and leaves our shop with a pen, a huge smile and some new confidence.”

Turn Around for Vets helps injured military service members and those with Post Traumatic Stress Disorder (PTSD). Several years ago, SDWT volunteers started teaching pen turning to service members at Balboa Naval Medical Center in San Diego as they recuperated from their injuries. The program later expanded to Camp Pendleton’s Wounded Warrior Battalion to work with Marines and Naval Corpsmen who are recovering from their injuries and later to the Aspire Rehabilitation Center for veterans suffering from PTSD and/or Traumatic Brain Injuries (TBI). The club provides the equipment, materials, teaching and supervision at all three centers to make sure vets learn to turn and, most importantly, to be safe while doing it.

“We now work with more PTSD and TBI patients than those physically wounded,” Ault said, “but the results are the same. We have made new woodturning addicts out of many of our vets and are trying to help those who want to go further with equipment. I am thrilled to be able to donate the lathe Woodcraft generously donated to one of them. I don’t know who it will be yet. I will let our leader, Ret. Major General Tom Lightner, come up with a list of those who might benefit most from having the mini lathe.”

Sally Ault – A Passion for Woodturning
Sally Ault is a San Diego native who graduated with a BA degree in Art with a Crafts emphasis from San Diego State University. Her college work was focused on weaving, jewelry design and ceramics. During a furniture class, she said she discovered woodturning, and after a break of a number of years, she resumed woodturning in 2004. A quote on Ault’s website reads: “I enjoy living in Point Loma (San Diego), walking, camping and sailing. But my real love is woodturning, which I do in lots of places like my shop and camping in Baja.”

Her woodturnings include textured forms, hollow forms, boxes, bowls, platters, jewelry, and “fun stuff” like tops. Her work has earned several prizes over the years and is shown in the gift shop at Anderson Ranch Arts Center in Snowmass, Colorado, The Mingei International Folk Museum, and the Studio 38 gallery in the Spanish Village Art Center in Balboa Park. Ault is a partner in Studio 38.

Although Ault’s late husband Barry could turn, she said he chose other ways to create. “He made parts for his boat, built a motor home, sailed, surfed and windsurfed, but he also helped me by fixing anything that broke. He made and modified some tools for me and generally supported my addiction to woodturning in any way he could.” Ault’s daughter Jessica does not share her mother’s passion for woodturning, but Ault said her grandson Colin turned his first pen at age 7 and has made his own baseball bat.

See more of Ault’s work at http://www.sallyault.com/.

An Evening of Sharing
The Penturner’s Rendezvous, organized by The Pen Maker’s Guild, is held the evening before the Utah Woodturning Symposium opens in Provo, Utah – May 10 this year. Anyone is welcome to attend the event for free and display their works if they want to. However, only those who display are eligible for the Woodcraft Grand Prize drawing held at the end of the evening.

The two pens pictured here were among work Ault showed at the Rendezvous. The desk pen is cocobolo and redwood burl. The other pen is a purple color wood.

Turners who show their work compare techniques and exchange advice and suggestions. The newer pen turners learn a lot by just seeing the pens and asking the experienced turners questions such as, “How did you do that?” and “What did you use?” This informal environment is designed to promote more open discussions and exchange of knowledge.

“Woodcraft is pleased to be able to support both the woodturning community and a program for wounded vets with our mini lathe donation,” Liz Matheny, Woodcraft marketing director said. “Woodcraft applauds the one-on-one learning environment at both the Penturner’s Rendezvous and the San Diego Woodturners’ programs for veterans.”

For more information about the Penturner’s Rendezvous, visit https://utahwoodturning.com/penturners-rendezvous/. To learn more about the San Diego Woodturners, visit http://www.sdwt.org.

To learn more about Woodcraft, please contact the store nearest you, visit http://www.woodcraft.com or call (800) 535-4482.

 

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FAIRFAX MEDIA: A lifetime of work gone in minutes in Palmerston North shed fire (05/28/2017)

John Bramley woke to loud banging on his front door early in the morning  after a rural postie noticed a fire on his property.

As the Palmerston North man ambled out of bed and walked down his hallway, he saw a red glow erupting from his woodturning shed outside.

His 50 years of woodturning work and all the equipment he used to make it was gone.

“There’s not much we could do. We couldn’t get into it.”

Bramley said he was grateful for the postman’s warning,  about 5am on Saturday, as he, his wife, their son and grandson kept clear of the blaze.

Four fire engines and two rural tankers controlled the flames, which were extinguished by 9am.

However, watching his shed, showroom and much-loved wooden items burn to ash was “devastating”.

Although Bramley had lived at the Roberts Line property for about 30 years, he said he had about 50 years’ worth of equipment in his shed.

Almost everything was destroyed in the blaze.

“I was out here all day, every day. It’s all gone.”

Bramley said he was initially worried about Moose, his chocolate labrador which slept on a couch in the shed.

The couch was nothing but ash, but Moose had escaped the fire and spent the morning at the neighbours. He was returned to Bramley and his family later that morning.

Fire Service assistant area commander Scott Bell said the fire was well alight when crews arrived on Saturday morning.

Crews stayed at the property and turned over smouldering material until about 11am.

Fire investigators analysed the scene, but the extensive damage caused to the building meant it was too hard to determine the cause, he said.

Although there was no official cause, it was possible the fire could have been started by an electrical fault, he said.

A police spokeswoman said police did not attend the fire on Saturday.

Because of the dust from his woodturning, Bramley said even a spark could have started a fire and “away she went”.

Although he was upset at losing his work, wood, shed and equipment, he was grateful his dog escaped and that his house did not catch fire.

The blaze spread to the car port on the property, but fire crews stopped it from spreading to the house, which was just metres away.

“We’ve got to have a bit of luck somewhere.”

Bramley also thanked the postie for raising the alarm.

Although devastated, he said would continue his favourite hobby of woodturning and hopefully rebuild a small showroom on the site.

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